Showing posts with label animation clips. Show all posts
Showing posts with label animation clips. Show all posts

Tuesday, October 4, 2011

Simpsons a la John Kricfalusi

John Kricfalusi did a Simpsons intro sequence recently (I think this episode is airing now in the US). His style is just so far out and so whacky that you can't do anything but surrender and be totally inspired by it. Have a look at these short clips from cartoon brew.

John K. Simpsons Opening — Storyboard/Animatic from Cartoon Brew on Vimeo.


John K. Simpsons Opening — Rough Animation from Cartoon Brew on Vimeo.


John K. Simpsons Opening — Composite with CG BG from Cartoon Brew on Vimeo.


Read the whole interview with John Kricfalusi at cartoon brew here:
http://www.cartoonbrew.com/tv/exclusive-john-k-talks-about-his-simpsons-opening.html

Monday, September 26, 2011

It's a wrap !!!

Yeah, it's a wrap! Animationmentor is over, I finished class 6 a week ago ...and now I have the pleasure of titulating myself as a character animator. :-)
It's been a wonderful 18 months at school, I have learned a LOT, made a bunch of new friends and will now go on to (hopefully) find some use for my newly required skills.

I can tell you that it sure was nice to have a week off, though, and catch up on some very badly needed sleep... but now I am back at animation desk again, ready to rock n roll.

This is what my demoreel looks like right now. I will sure work some more on these shots, but I'm also thinking of starting up some new ones, soon.

Monday, July 4, 2011

Insight into an animator's work at crunch time....

This interesting article I found in Brendan Body's blog...

It's kind of a diary with detailed notes from the animator's process behind a shot for "the legend of the guardian", from start to finish. It is packed with detailed process notes, communication with the director and even time stamps so you can see the time taken!  Very informative for a guy like me who hasn't been working in that studio pipeline environment yet...  This is a good description what the normal work week looks like, I guess.

And it is also confirming something my mentor, Kenny Roy, said the other day - the process of animation isn't straightforward, as in "going from a perfect blocking pass to a perfect blockingplus version straight on to the perfect polish".  It's a process of tweaking and making changes until it's finished...

http://brendanbody.blogspot.com/2011/06/week-in-crunch-part-1.html


Tuesday, June 14, 2011

Report from Annecy 2011

When I arrived in Annecy late at monday evening, the outside screening of "Rango" had just started in the park outside the festival centre. I was struck by the cozy atmosphere immediately. There on the grass were literally thousands of other animation enthusiasts, students and profesionals crammed together. There was so much people that you couldn't see the grass they all were sitting on.
Didn't catch much of the film though, dubbed to french and with no subtitles - but the whole thing was still an experience in itself.

My visit was kind of short, I was there only for three days. But I tried to get to see as much as possible in that short time and used the time quite efficiently I think.

Some of the highlights from the screenings (remember I only saw a fraction of all that was offered):

Of the short films the one that made the biggest impression on me was "la Détente" produced and directed by Pierre DUCOS and Bertrand BEY. A fantastic, highly visual story on the subject of war. A french soldier becomes paralyzed with fear during bombings in the first world war. He escapes into his fantasy where the war takes on the form of a toy-world.

This is the trailer.



On the feature screenings I really fell in love with "the rabbin's cat", which later also got the crystal award of the whole festival for best feature film. The story is about the very unlikely situation of a family cat who swallows a parrot, thus gains the ability to talk - and wishes to convert to judaism.
The film is based on a comic book by Joann Sfar and directed by Antoine Delesvaux and Joann Sfar.

This is the trailer for "le chat du rabbin"



I joined several screenings in the television series class, since that is where my own main interest is. Some stuff was really good there - and some of it I utterly hated.
One of the more fresh experiences was an episode from the british/french production "the amazing world of gumballs". Normally I'm not too hot on cartoon networks style of children's animation. Too loud and too busy for my taste. But this was something I really liked, mostly because of the craziness of the story and for the cute main characters. Story turned out annonyingly thin but nevertheless I found it very entertaining, it made me smile.
Produced by Dandelion studios, directed by Mic Graves and Ben Boquelet




There were also numerous masterclasses and talks about films and animation. I got to see a couple that I really enjoyed. On wednesday there was a 3 hour seminar on four different productions, presented by its producers. We were shown material from the development of the films and got to hear a little about the processes behind each of the productions.

On thursday there was another presentation that focused on VFX and animation, also very interesting, even if it's not my primary field of interest.

I visited the MIFA area on thursday as well and strolled around among all the booths and stands. Stopped for half an hour at the Disney booth and listened to Paul Briggs who gave a speech on "the art of story".



And of course I met with all the other students from animation mentor who happened to be there, shared a couple of beers and talked animation. Too bad I only had a couple of days, it sure would have been fun to spend much more time together with them all.

The only thing I won't miss after my visit to Annecy is the bloody weather - it rained almost all of the time I was there. My feet were soaking wet for three days in a row. I hope for more sunshine on my next visit to the festival! :-)

Friday, March 18, 2011

"Thought of you" - behind the scenes

You might already have seen this wonderful animated dance video by Ryan J Woodward, it has been posted a lot around the internet the last few months;

Thought of You from Ryan J Woodward on Vimeo.



But here is something you maybe haven't seen, a short "making of"-film, with some interesting insights to the process behind the film.

Thought of You - Making Of from Ryan J Woodward on Vimeo.

Saturday, March 12, 2011

Cat out

Here is a nice work of cutout animation. It was made by ECAT animation in Argentina. Also have a look at Jorge Cuellar's blog at http://jorgemcuellar.blogspot.com/ There are some really cool sketches!

CAT OUT (2010) from catout on Vimeo.

Wednesday, March 2, 2011

NOT for children

As a producer/director of children's tv shows, working at a public service company and often sitting in either end of the pitching process i.e. giving or recieveing a pitch depending on the situation... I must say I find this clip hilarious.

http://dauid.com/video/qt/barnen.mov

NOTE: you have to understand swedish to get the point. It's mostly dialouge anyway. AND you have to have a good stomach and not be sensitive to adult material, too. :-)

I'm pretty convinced that the guy behind this clip has had his share of experiences trying to sell his ideas to public service companies... (he is actually a accomplished animator!)

The title of the clip is "för barnen" ("for the children" in english)
Don't say I didn't warn ya.

Thursday, February 24, 2011

The making of a commercial short from Aardman

This is a "making of"-film from Aardman, a commercial for a swedish bank, "swedbank".

- It just looks so fun to work with stop motion, doesn't it? Real materials, dolls you can touch with your fingers....
(- sigh, ...back to my maya blocking, staring at the screen....) :-)

Friday, September 10, 2010

Class 2 - Killing Stewie by weather

After Ballie the 2-legged poor bastard had been killed by getting crushed under a falling weight, the next in turn was Stewie - this time it was the armless version of Stewie we got to work on. A good thing really, it makes you concentrate on the hips and spine and learn to do that stuff before you get distracted with hands and arms. Smart thinking, AM.  :)

In this second assignment I wanted to let Stewie die in a horrible storm. (The actual title of the assignment was "walking in heavy wind". But I of course needed some death in there too, I have my theme of "horrible, unexpected deaths" to attend to.)

So this was my first scenario:


But as I timed out the scene it got a little too long... (we had to keep it under 200 frames)  so I simplified the whole thing and let him just blow off a cliff instead. Like this:


Our mentor, Leigh Rens, said his OK and three weeks later this was the result:





With a little grass waving hard in the wind and the occasional leaf flying by the illusion will be there, I think. Maybe I'll get back to those props and environment things if I ever get back to polishing this shot later on.

Soon I'll post the third assignment of this class. It's still not completely finished so you may have to wait a week or two for it.  Cheers!

Monday, September 6, 2010

Class 2 - psychology of body mechanics.

It's been a while since I updated anything, so now I thought that I would get my ass out of the wagon (don't know if that's understandable english but in swedish it's an often used expression) and show some of the latest stuff I have been working on at animation mentor.

By now we are getting into the final weeks of class 2, "psychology of body mechanics", and in this class we have been working on three different shots, all of them paying special attention to body mechanics.
I'll make a blog note on each of my three assignements, this is the first one, the other two will be coming up shortly.

So - when you are working on one piece for three weeks you might just as well make it fun and entertaining to yourself. Which is what i did. I decided to make my three pieces add up to a little series of "horrible, unexpected deaths".

The body mechanics assignment was to make a 180 degree turn. So I videotaped myself to get reference for the body mechanics stuff and made this planning sketch.


My mentor in this class, Leigh Rens (cool guy and awesome animator BTW!), liked the setup so I went ahead with this plan and for three weeks I worked on just this little piece.

But I needed a sudden death too, to keep my theme going. Some unexpected thing was what I wanted. It ended up looking like this:




If I get back to polishing this stuff I'll put a text on the weight saying: "property of Monty Python". LOL.

Saturday, August 14, 2010

I simply love "Charlie and Lola"

Not much more to add, really. "Charlie and Lola" is a wonderful series!
And it's no wonder to me that it has been such a success. The stories and the art of Lauren Child is fantastic! And the style of the tv-production fascinates me too, it's done in modern digital cutout style, which leaves the viewer plenty of room for his or her own imagination - and those true and well made children voices in the soundtrack also make it really easy to connect with the characters on screen.

Here is an old clip (from 2008) when the production scooped a double-BAFTA win at the EA British Academy Children's Awards. Children's presenter Barney Harwood interviews Lauren Child, Claudia Lloyd and Kitty Taylor backstage to find out the secrets behind their success.





And here you can see an example of the thrilled audience watching the show:

Saturday, June 19, 2010

A sheep on the roof

This short was made by  a french filmmaker, Rémy Schaepman - a lovely piece about the ordinary lives we live...

Quidam dégomme (A sheep on the roof) from Rémy Schaepman on Vimeo.

Tuesday, May 18, 2010

From one coffee addict to another

I don't smoke, I drink only occasionally and I don't ever touch drugs. If you don't count caffeine, that is. :)

This little animation, by Stephanie Marguerite and Emilie Tarascou, based on a song by the French band Oldelaf and Mr D, describes very clearly what my day is like. It's a caffeine fueled crescendo. :)

Tuesday, April 20, 2010

The process behind Freakish kid's awesome "cluckie the vampire chicken"

When I started out playing around with animation as a hobby some years ago it was absolutely 2D that interested me most. And since I'm not a very good drawing artist - can't keep volume from drawing to drawing ! - I soon found 2D CG animation to be the most suitable way to go for me. I have been using a software called Anime Studio Pro (former known as 'Moho') and found it to be quite nice app, at an affordable price too. It's kind of pity that so few professionals use it... If you look it up on youtube you mostly find amateur's clips... which aren't too convincing.

But there are exceptions!

This is a good example of good use of the software AND a visual style that I like, "Cluckie the vampire chicken" by Freakish Kid:



There are clips in better resolution at Freakish kid's site. I highly recommend you go there and watch them instead!

And when you have watched the clip go here and read the story behind the production! Very interesting, I promise!


I first became aquainted with the work of this studio when I was browsing the forum for users of "Anime studio Pro".  (BTW, don't let the name fool you, it's not just for anime, it's good for all kind of styles.  It's a nice 2D / CG vectorbased animation system with bonerigged models, FK and IK, which makes it a kind of tool somewhere in between traditional 2D and 3D CG apps. A little lacking on the pipeline bells & whistles, more suitable for small studios).

Freakish kid (former "greykid") is one of the best examples of good, professional use of this piece of software that I know of.  They are based in London, UK and in Hungary and I know that they have produced a lot of stuff for Nickelodeon.

Monday, March 29, 2010

The secret of Kells

I had not seen or heard about "the secret of Kells" until the academy award nomination for best animated feature some time ago. Last night I had my first chance to see it in full length - and it was a really mindblowing experience. The artwork is so beautifully done. And the mythological story is so magic and captivating. A beautiful story about the power of the imagination in hard times.

Here is a little sample. But I really do recommend you to do whatever you can to get a chance to see the whole thing. Don't miss it!



And if you want to know a little more "behind the scenes"-stuff you can read this AWN article here, where Karl Cohen talks with director Tomm Moore, exploring both the historical and thematic origins of the film. Very interesting!
.

Monday, March 1, 2010

Get out

Here is another short I stumbled upon the other day. There's something in this clip that is making me think of the previous one I posted here a couple of days ago... ("out of a forest"), something very similar between the two...

I challenge you - can YOU find out what that similarity is?



Site Officiel : http://www.getout-lefilm.com/

Réalisé par : Charlotte BOISSON, Julien FOURVEL, Pascal HAN-KWAN, Tristan REINARZ, Fanny ROCHE

Voix : Gary - Philippe PEYTHIEU
Le Psychiatre - Jacques BRIERE

Enregistrement et mixage : Studio des Aviateurs
José VICENTE
Yoann PONCET
www.studiodesaviateurs.fr

Musique :
Composition : Guilhem ROSA
Flute : Hélène VAILLANT
Violon : Cédric BOUBET
Récitante : Julie CUCCIARO

Ecole Supérieure des Métiers Artistiques. Montpellier. France. ©ESMA. 2009

Sunday, February 28, 2010

Impressing stop motion: Out of a forest

Another breathtaking animation short, this time found from Cartoon Brew.

"Tobias Gundorff Boesen’s Out of a Forest is a stop-motion effort out of Denmark’s The Animation Workshop, the same school responsible for Vegeterrible, which was featured on the site a few days ago. A lot of Out of the Forest was shot on location in forests around Viborg, Denmark, and the presence of prim and proper bunnies in this natural setting lends the film a magical flavor. The film was animated by Katrine Kiilerich, Frederik Villumsen, Christophe Peladan, and Tobias Gundorff Boesen, and the song,” Slow Show,” is by The National."




Out Of A Forest from Tobias Gundorff Boesen on Vimeo.

Wednesday, February 24, 2010

Tuesday, February 16, 2010

The danish poet

This is the kind of story I love to watch. AND a kind of simple style of visual storytelling too, that I admire. I like the funny little observations that unfold in the situations of almost every scene... and being a scandinavian/nordic citizen myself there's so much that I recognize... This is an amazing little story.



WINNER OF THE 2007 OSCAR® FOR BEST SHORT SUBJECTS ANIMATION
A film by Torill Kove Narrated by Liv Ullmann
More on Torill Kove and the making of the film here

Sunday, February 14, 2010

Inspiring animated music video

Have a look at this! Totally awesome!
Boing Boing presents a music video from the N.A.S.A project:
"Spacious Thoughts," featuring Tom Waits & Kool Keith, directed by
Fluorescent Hill.